supported by 5 fans who also own “Between Nowhere And Never Pt. I”
Symphonic stuff in metal doesn’t make its way into my collection aside from a couple of early Cradle albums. The orch here though just ads to how huge this band sounds. It makes elements in the songs more immersive. There are plenty of breaks from orchestration where its in deathcore/slamming brutality mode. While not ignorant, the songs never play with time or get mathy making it accessible and memorable. Came out 2015? Impressed. Mitch Mitcherson
supported by 4 fans who also own “Between Nowhere And Never Pt. I”
Although the origin point for their sound is blatantly obvious, there is something to be said of them doing this style of death metal far better than most post-cannibal corpse bands.
They hold on to the melodic base of old school death metal moreso than their contemporaries, coming through clearly in the absolutely nasty soloes.
Not pushing boundaries, but aiming for the level cap. MyNameIsRedundant